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Recently in Salon Arts & Entertainment

Music Review
Sharps & flats
Lyle Lovett and His Large Band offer a bracing live set of cosmopolitan country -- and an alternative to all that Nashville pap.
By Seth Mnookin
[06/24/99]

Column
Big success on the small screen
Director Alan Taylor ("Palookaville") makes the leap to television -- and hits a high note with his episode of "The Sopranos."
By Michael Sragow
[06/24/99]

Standup for your blights
George Carlin talks about Littleton jokes, white-yuppie cocksuckers and why he still loves his BMW.
By Geoff Edgers
[06/23/99]

Music Review
Sharps & flats
Oh, Captain, my Captain.
By David Bowman
[06/23/99]

Bitter and blacker
Chris Rock, the new heavyweight champ of humor, hits where it hurts.
By Cintra Wilson
[06/22/99]

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Sandler -- who, since his "Saturday Night Live" days, has displayed a particular talent for portraying some of the most gratingly annoying characters ever beamed through a cathode ray or projected onto a screen -- is, in many ways, your typical $20 million-a-picture comedic jerk. No matter what the vehicle, his role rarely varies -- he's the schmuck with vast stores of hostility just waiting to be farcically tapped. In this regard, he's not much different from the oafs Jim Carrey used to play before going off to become a serious actor, or the bodily function-obsessed menfolk of the Farrelly brothers' early oeuvre. Yet despite his cinematic flair for beating Bob Barker senseless with a golf club or terrorizing the guests at a nuptial feast with a snarling version of "Love Stinks," Sandler always remains, at the heart of things, an old softy -- a man who loves grandmas, little children and pretty ladies who don't care how big a flake he is.

Big Daddy Columbia Pictures Directed by Dennis Dugan Starring Adam Sandler, Joey Lauren Adams and Jon Stewart

Sonny Kofax, the hero of "Big Daddy," is Sandler's standard alter ego -- a 30-ish underachiever who threw away his law degree to become a one-day-a-week toll booth worker. His dad nags him to get a real job; his roommate's fiancée, Corinne (Leslie Mann, who appeared in "George of the Jungle"), thinks he's a parasite; and his careerist vixen girlfriend, Vanessa (Kristy Swanson), is so fed up with his so-called lifestyle she's ready to put him on the train to Dumpsville. But Sonny is more than a mere lumpen mass of ESPN-watching inertia. He's sensitive, gay-friendly and mentally nimble enough to give legal advice to his attorney friends. Little surprise, then, that when an adorable 5-year-old orphan (played by twins Cole and Dylan Sprouse) appears on his doorstep, Sonny melts faster than gum on hot pavement. It doesn't hurt that he thinks adopting the tyke can change Vanessa's mind about breaking up with him.

It turns out that taking in a foundling is not in fact the best way to impress a woman, especially when one's dubious parenting skills could provide enough fodder for a week's worth of "Sally Jessy" episodes. Before long, Sonny is officially emancipated from Vanessa and bonds with his small charge in ways Dr. Spock never imagined -- he teaches young Julian the art of public urination, hauls him around to seedy bars, uses him as bait to pick up chicks in Central Park and feeds him multiple packets of ketchup for lunch. Surprisingly, none of Sonny's atypical child-rearing practices attract the notice of Social Services, until it's discovered that he isn't Julian's biological father -- at which point Sonny finds himself in danger of losing the one person he truly loves.

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